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Focusrite Red 16Line Interfacce Audio USB
  • -8%

Focusrite Red 16Line

3.989,00 €
3.666,00 € -8%
Tasse incluse
Prezzo più basso degli ultimi 30 giorni: 3.666,00 €

64x64 all-in-one interface, 32x32 Dante I/O

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Disponibile entro 3 - 5 giorni
Spedizione gratuita

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Focusrite Red 16Line

 

Red 16Line è un’interfaccia audio 64-in/64-out Pro Tools | HD e doppia Thunderbolt 3 a bassissima latenza, conversione A-D/D-A, preamplificatori microfonici Red Evolution, gamma dinamica fino a 121dB, bassissima latenza di andata e ritorno ed espansione su Ethernet per l’audio in rete. Grazie ai connettori DigiLink e alle connessioni Thunderbolt, la commutazione da Pro Tools | HD a una seconda DAW è molto più facile e non occorre riconfigurare alcuna opzione nell’interfaccia: basta modificare la modalità host nel software del remote o sul pannello anteriore del dispositivo e cambiare DAW in pochi secondi.

Collegamento a Pro Tools | HD, a computer con porta Thunderbolt e Dante simultaneamente e senza schede audio aggiuntive; Conversione audio ad alte prestazioni con gamma dinamica oltre i 118dB A/D e 121dB D/A (ponderata A); Latenza di andata e ritorno bassissima per registrare strumenti virtuali e utilizzare plug-in in tempo reale; 16 ingressi Line su D-sub, associate a 16 uscite line e due uscite monitor Main; 2 preamplificatori microfonici Red Evolution a controllo digitale che offrono fino a 63dB di gain ultra-clean, link stereo, alimentazione phantom individuale, filtro passa-alto, inversione di fase e modalità Air.

Red 16Line offre 16 ingressi Line su D-sub, associate con 16 uscite Line e 2 uscite monitor Main. I 2 preamplificatori microfonici Red Evolution a controllo digitale forniscono fino a 63dB di gain ultra-clean insieme con link stereo, alimentazione phantom individuale, filtro passa alto, inversione di fase e modalità Air: il nome che Focusrite dà alla firma sonora del classico preamplificatore ISA. Con una scheda Dante a doppia porta, potrete espandere il vostro studio su Ethernet per canali aggiuntivi a velocità di campionamento più elevate, ovunque nella vostra rete, con tempi di latenza e costi inferiori.

Specifications:

Simultaneous inputs & outputs

  • Channel Count: Up to 64 x 64
  • Line Level Channel Count: 16 In and 16 Out
  • Line Level Input: 2 x DB-25 connectors (AES59)
  • Line Level Output: 2 x DB-25 connectors (AES59)
  • Thunderbolt Channel Count: Up to 64 In and 64 Out
  • Thunderbolt Ports: 2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
  • Pro Tools Channel Count: Up to 64 In and 64 Out (32 In and 32 Out per connection)
  • Primary Port: 2 x Mini DigiLink
  • Dante Channel Count: Up to 32 In and 32 Out
  • Dante Input And Output: 2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).

Microphone inputs

  • Gain Range: 0-8dB to 63dB in 1dB steps
  • Type: Electronically Balanced, Zin = 20kΩ
  • Max. Input Level: >+19dBu, min gain
  • Frequency Response: 20Hz - 35kHz ±0.2dB
  • THD + N: -102dB (0.0008%) @ -1dBFS
  • EIN: <-129dbu 'a'-weighted (typical)< span>
  • Signal-To-Noise Ratio: 119dB 'A'-Weighted (typical)
  • Common-Mode Rejection Ratio: 50/60Hz CMRR: -70dB
  • Phantom Power: +48V, independently switchable per channel.
  • HPF: High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
  • Mic Inputs Channel Count: 2 In
  • Mic Input: 2 x Female XLR
  • Line inputs 1-16: 0 DBFS Reference Level +18 or +24dBu (switchable)
  • Line Inputs 1-16 0 DBFS Reference Level +18 or +24dBu (switchable)

Line Inputs 1-16 Type

  • Electronically Balanced, Zin = 20kO
  • Line Inputs 1-16 Frequency Response 20Hz - 35kHz ±0.2dB
  • Line Inputs 1-16 THD + N -102dB (0.0008%) @ -1dBFS
  • Line Inputs Signal-To-Noise Ratio 119dB 'A'-Weighted (typical)
  • Line Inputs 1-16 Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB
  • Line Level Input 2 x DB-25 connectors (AES59)

Instrument inputs

  • Instrument Inputs Gain Range 0-8dB to 63dB in 1dB steps
  • Instrument Inputs Type Zin = 2.3MO
  • Instrument Inputs Max. Input Level >+15dBu, min gain
  • Instrument Inputs Frequency Response 20Hz - 35kHz ±0.2dB, min gain
  • Instrument Inputs THD + N -100dB (0.001%) @ -1dBFS (@ 11dB Gain)
  • Instrument Inputs Signal-To-Noise Ratio: 117dB 'A'-Weighted (typical), min gain
  • Instrument Inputs HPF: -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Instrument Inputs Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
  • Instrument Inputs Channel Count: 2 Channels In
  • Instrument Inputs Instrument Inputs: 2 x 1/4" TS stereo jack

Line outputs 1-16

  • Line Outputs 1-16 0 DBFS Reference Levels: +18 or +24dBu (switchable)
  • Line Outputs 1-16 Frequency Response: 20Hz - 35kHz ±0.2dB
  • Line Outputs 1-16 THD + N:  <-104db (0.0006%) unweighted, 20hz - 20khz; -1dbfs input< span>
  • Line Outputs 1-16 Dynamic Range: 121dB 'A'-weighted (typical), 20Hz - 20kHz
  • Line Outputs 1-16 Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
  • Line Level Output: 2 x DB-25 connectors (AES59)

Monitor outputs

  • Monitor Outputs 0 DBFS Reference Levels: +18dBu
  • Monitor Outputs Frequency Response: 20Hz - 35kHz ±0.2dB
  • Monitor Outputs THD+N: -80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input
  • Monitor Outputs Dynamic Range: 120dB (A-Weighted)
  • Monitor Outputs Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
  • Monitor Outputs Channel Count: 2 Out
  • Monitor Outputs: 2 x 1/4" TRS stereo jack

Headphone outputs

  • Headphone Outputs 0 DBFS Reference Levels: +16dBm ± 0.5dB
  • Headphone Outputs Frequency Response: 20Hz - 20kHz ±0.2dB
  • Headphone Outputs THD + N: <-75db (0.018%) unweighted, 20hz - 20khz< span>
  • Headphone Outputs Dynamic Range: 114dB 'A'-weighted (typical), 20Hz - 20kHz
  • Headphone Outputs Output Impedance: 10O
  • Headphone Outputs Headphone Impedance: 32O - 600O
  • Headphone Outputs Channel Count: 2 Stereo Channels Out
  • Headphone Outputs Headphone Outputs: 2 x 1/4" TRS stereo jack

Digital performance

  • Supported Sample Rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
  • Clock Sources: Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

ADAT

  • ADAT Channel Count: Up to 16 In and 16 Out
  • ADAT Input: 2 x TOSLINK connector
  • ADAT Output: 2 x TOSLINK connector
  • ADAT Channel Assignments @ 44.1 KHz, 48 KHz: Port 1 = Channels 1 - 8 , Port 2 = Channels 9 - 16
  • ADAT Channel Assignments @ 88.2 KHz, 96 KHz: SMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
  • ADAT Channel Assignments @ 176.4 KHz, 192 KHz: SMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4

S/PDIF

  • S/PDIF Channel Count: 2 In and 2 Out (Optical up to 96kHz)
  • S/PDIF Input: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)
  • S/PDIF Output: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)

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