REMIC C5300WLM

The REMIC C5300 WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the C5300 WLM to a standard XLR wired connection.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300 WLM is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS

• RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models (RAD001 is included when you buy a C5300 WLM microphone)
• RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models)
• RAD 003 | TRS 3.5 connector
• For Remic studio/live and LB live microphone to the Sennheiser EW-series.
• SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.
• RAD 006 | TA4 connector
• For Remic studio/live and Live to SHURE with TA4F connector.
• FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
• Transmitter module with TA4M connector.
• RAD 010 | LEMO-3 connector
• For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.