Professional 2 M/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.
Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.
The largest 120x120 model features zero latency, 12G-SDI, full SDI re-clocking, plus any combination of SD, HD and Ultra HD. You also get a built in control panel and external control via Ethernet.
Blackmagic URSA Cine 12K LF is revolutionizing digital cinema by introducing a new 36 x 24 mm RGBW sensor with larger photo sites and a 16-stop dynamic range. The URSA Cine 12K LF Body model is ideal if you already have cinema accessories and want to use them to create your own customized camera system. The following are not included: handle, tripod plate, power supply, battery plate and EF connection. Instead, the following are included: an interchangeable EF connection, a second 5-inch HDR touchscreen display with a range of dedicated controls, built-in ND filters, and professional Lemo and Fischer connectors. The Blackmagic URSA Cine 12K LF Body also features a CFexpress media module, 10G high-speed Ethernet and wireless LAN for fast file upload and synchronization to the Blackmagic Cloud.
Specifications
Actual sensor size
35.64 mm x 23.32 mm (large format)
Pixel pitch
2.9 microns
Lens mount
URSA Cine EF secure lock. Interchangeable with URSA Cine Mount PL (included)
Lens control
EF compatible lenses. Lens data of compatible PL lenses and control of some PL lenses
Dynamic range
16 stops
Shooting formats
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Frame rate
Project frame rates: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. The maximum frame rate of the sensor varies according to the selected resolution.
Compatible high frame rates
12K 3:2 Open Gate at 80 fps max.
12K 17:9 at 100 fps max
12K 2.4:1 at 120 fps max
9K 3:2 Super 35 at 100 fps max
8K / 4K 3:2 Open Gate at 144 fps max
8K / 4K 2.4:1 at 224 fps max
Integrated ND filters
IR ND filters can be activated using the buttons on the camera. No filter, 2 / 4 / 6 stops
Focus
The Focus button activates peaking; Auto Focus available for compatible lenses
Aperture
Wheel and slider on touch screen for manual iris adjustment with electronically controlled lenses; Iris button instantly auto-adjusts iris with compatible lenses to prevent pixel clipping in movie mode. Auto average exposure for shooting in movie mode.
Screens
2 x monitoring
1 x camera status
Monitor size
5 inches
Monitor resolution
1920px x 1080px
Monitor brightness
1500 nits
Monitor type
Capacitive LCD touchscreen
Metadata support
Automatically populates metadata for compatible EF lenses. Automatically saves camera settings and digital slate data including project, scene number, take and annotations.
Controls
Menu on 5-inch touchscreen. Buttons for other controls. 7 programmable shortcut buttons and 6 programmable shortcut buttons on URSA Cine EVF
Timecode
Highly accurate counter with slip of less than 1 frame every 8 hours
Connections
Video outputs 2
SDI 1.5G, 3G, 6G, 12G transmission
Analog audio inputs 2 x XLR configurable to mic, line or AES level. Phantom power supported
Analog audio outputs 1 x 3.5 mm headphone jack
Reference inputs Tri-Sync / Black Burst and Timecode
Viewfinder 1 x USB-C with power, video, camera control data and locking connector. Compatible with URSA Cine EVF and PYXIS Monitor
Monitor USB-C outputs 2 x side ports compatible with URSA Cine EVF, PYXIS Monitor or DisplayPort monitor
Accessories
1 x 7-pin Lemo EXT for power, serial communication and start/stop.
1 x 3-pin Fischer RS for power and start/stop.
Computer interface
2 x USB-C side expansion ports for camera accessories.
Rear USB-C port for software updates.
Ethernet
1 x RJ‑45 10Gb/s compatible with 10/100/1000/10G BASE-T for SMB file sharing, web media manager, uploads to Blackmagic Cloud, camera control and streaming
Blackmagic Media Module CF includes two slots for CFexpress type B cards. Compatible with Blackmagic Media Module 8TB or 16TB (optional)
Formatting
Blackmagic
Compatible codecs
Codec
Blackmagic RAW, constant bitrate 3:1,
Blackmagic RAW, constant bitrate 5:1,
Blackmagic RAW, constant bitrate 8:1,
Blackmagic RAW, constant bitrate 12:1,
Blackmagic RAW, constant bitrate 18:1,
Blackmagic RAW, constant quality Q0,
Blackmagic RAW, constant quality Q1,
Blackmagic RAW, constant quality Q3,
Blackmagic RAW, constant quality Q5.
H.264 Proxy 1920 x 1080 in 4:2:0 at 8 bits
Control
External control
Blackmagic URSA Cine EVF can trigger recording and the camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Rec buttons. External camera control with REST API via ethernet, WiFi or serial communication via the 7-pin Lemo connector. Start/stop via 3-pin Fischer and 7-pin Lemo connectors. Blackmagic control via iPad and Bluetooth. Blackmagic Zoom Demand and Blackmagic Focus Demand to control compatible cameras and lenses.
Streaming
Direct streaming
Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) for local live streaming via ethernet or WiFi; global live streaming with an internet connection via ethernet, WiFi or mobile data via USB-C
Network management
NTP
The NTP protocol allows you to synchronize the time on the camera when it is connected to a network with the NTP server of your choice
FTP
Download files from drives connected to the camera via FTP protocol.
Web Media Manager
Using a browser connected via Ethernet, the web media manager allows you to access, browse, download and delete files from the drive connected to the camera.
SMB
File sharing via SMB.
Storage
Storage type
2 x CFexpress type B
Storage frequencies
Storage speed is based on 24 fps:
12288 x 8040 (12K)
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 298 to 1,432 MB/s
Blackmagic RAW Q1 - 179 to 716 MB/s
Blackmagic RAW Q3 - 119 to 298 MB/s
Blackmagic RAW Q5 - 90 to 224 MB/s
9408 x 6264 (9K)
Blackmagic RAW 3:1 - 713 MB/s
Blackmagic RAW 8:1 - 268 MB/s
Blackmagic RAW 12:1 - 178 MB/s
Blackmagic RAW 18:1 - 119 MB/s
Blackmagic RAW Q0 - 178 to 856 MB/s
Blackmagic RAW Q1 - 107 to 428 MB/s
Blackmagic RAW Q3 - 71 to 178 MB/s
Blackmagic RAW Q5 - 54 to 134 MB/s
8192 x 5360 (8K)
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s
4096 x 2680 (4K)
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s
Recording formats
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 using the full height or width of the sensor:
[12288 x 8040], [12288 x 6912], [12288 x 6480], [12288 x 5112] and [9648 x 8040]
with dynamic range Film/Extended Video/Video or custom 3D LUT embedded in metadata and simultaneous proxy recording in H.264 1920 x 1080
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 with Super 35 in window mode:
[9408 x 6264], [8688 x 4896], [9312 x 4896], [9312 x 3864] and [7680 x 6408]
with Film/Extended Video/Video dynamic range or custom 3D LUT embedded in metadata and simultaneous proxy recording in H.264 1920 x 1080
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 using the full height or width of the sensor with resizing:
[8192 x 5360], [8192 x 4608], [8192 x 4320], [8192 x 3408] and [6432 x 5360]
with dynamic range Film/Extended Video/Video or custom 3D LUT embedded in metadata and simultaneous proxy recording in H.264 1920 x 1080
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 using the full width or height of the sensor with resizing:
[4096 x 2680], [4096 x 2304], [4096 x 2160], [4096 x 1704] and [3216 x 2680]
with dynamic range Film/Extended Video/Video or custom 3D LUT embedded in metadata and simultaneous proxy recording in H.264 1920 x 1080
