RODE NT-SF1

The 'SoundField by RØDE' NT-SF1 is an unparalleled ambisonic microphone that captures broadcast-quality 360° surround sound, offering unprecedented sonic possibilities for use in VR, sound design, immersive audio, and experimental recording applications. The NT-SF1 is the first collaboration between ambisonic pioneers SoundField (who invented the first commercial ambisonic microphone) and RØDE. Record Everything The NT-SF1 records the entire spherical soundfield-every sound from every direction-in perfect A-Format audio, which can be converted to B-Format audio and then manipulated endlessly using the 'Soundfield by RØDE' plug-in. Change microphone directivity, position and rotation after recording; create a full 7.1.4 surround mix; create a fully tracked 360° soundscape for your head for immersive video. The possibilities are, quite literally, limited only by your imagination. The History of SoundField The legend of SoundField began in 1978 in the United Kingdom, with the first commercial SoundField microphone launched through the pioneering work of Michael Gerzon. SoundField is now the global leader in high-end ambisonic microphones, installed in many of the world's most iconic venues. SoundField became part of RØDE/Freedman Electronics in 2016, beginning the next chapter in the story. The Ambisonic Sound Library The Ambisonic Sound Library is a vast and ever-expanding collection of ambisonic recordings made by some of the world's best sound recorders. The entire library is free to download, giving you access to hundreds of high-quality ambisonic recordings to use in your projects. Download B-format audio files to your DAW and apply the 'SoundField by RØDE' plug-in for an authentic ambisonic audio experience. Endless Applications, Endless Creativity The NT-SF1 is the perfect microphone for a wide range of recording applications, from music recording to capturing three-dimensional soundscapes for virtual reality and immersive media. As productions increasingly require the use of surround or multichannel spatial reproduction and the limits of creative recording continue to be pushed, the NT-SF1 should be the next tool to be added to every sound engineer's arsenal.