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NEUTRIK NC3MXX
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BitterSweet Pro is the evolution of FLUX:: well renowned freeware transient processor, BitterSweet. One of the main features is its ability to process only a certain part of the frequency spectrum, providing extended control of the transient shaping, acting like a dynamic equalizer driven by transients and/or sustain.
The Frequency Dependent Transient Processing provides the option to process only a certain part of the frequency spectrum, making BitterSweet Pro act like a dynamic equalizer driven by Transients and/or Sustain.
Explained:
When Frequency Range is set from 20 Hz to 20 KHz the processing is performed on the full band, now changing the value of the low cut off frequency turns it into a High shelve dynamic eq and setting the high cut off frequency turns it into a Low shelve dynamic eq, when setting both, it turns it into a peak dynamic eq.
On any case the gain can be adjusted with the Static Gain parameter, and the slope can be set with the Frequency Order parameter, from 6dB per octave to 12, 18 and 24 dB, the higher the Frequency Order is the steeper the slope of the frequency response becomes.
Transients and Sustain can be amplified or attenuated simultaneously or individually, and using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.
Main – processes using regular stereo signal scheme and it’s the only available mode for multichannel operations
Center – engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)
Stereo – engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)
The Geek Panel, an ”advanced settings” option, provides extended control of the transient processing envelope as well as different options for monitoring of the signal within the plugin.
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
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