Radial Engineering Catapult TX4

CatapultTX4 transmission module with 4 XLR-F inputs and 4 XLR-M outputs, is a 4-channel audio snake that sends analog and digital AES audio signals over standard twisted-pair shielded Cat 5 or Cat 6 cable. This allows engineers to take advantage of the features of this wide-spread connection type, for snake returns or transporting balanced audio channels on large stages, while audio system installers allow reuse of pre-wired networks to distribute audio signals over multiple environments.

Notable features

• Sends analog or AES digital audio signals over Cat 5/6 cable
• Works within existing networks
• Possibility of direct wiring or isolated signal splitting
• Transmits four AES signals (eight audio channels)

Catapult is a 4-channel audio snake that allows analog and digital AES audio signals to be sent over standard twisted-pair shielded Cat 5 or Cat 6 cable. This allows stage technicians to take advantage of the relatively low cost of this readily available cable for snake returns or for carrying balanced audio channels on large stages, and for system installers it allows them to take advantage of pre-wired networks to connect one room to another. Available in 6 configurations, Catapult offers a choice of 3 input modules and 3 output modules. Each input module has 4 XLR inputs, 4 XLR thru-puts along with 2 Neutrik Ethercon outputs to connect Cat 5 cable to the desired output module. These have Ethercon-type RJ45 input and thru-put, as well as two sets of XLR outputs. Modules can be ordered without transformers for sub-snake or transmit AES audio signals; with microphone isolation transformers for signal splitting between FOH, monitor or recording system; with line-level isolation transformers to eliminate system noise. A ground lift switch on each terminal allows the Ethernet cable to be connected, eliminating noise and hum caused by ground loops. As with all Radial products, Catapult is ideal for touring use due to its construction of rugged 14-gauge steel and powder coating that will keep it looking like new for years. Inside, a two-sided PCB was used to mount the connectors and transformers doubling the solder joints for maximum durability.

Practical use of ^CatapultTM

Connections

As with all audio systems, it is a good idea to turn off the sound system or set the system levels to zero before making connections. This will prevent connection or power-up transients from damaging more sensitive components such as tweeters.

Standard use of TX4 and RX4 (non-isolated) modules

To use Catapult in its simplest form, connect TX4 and RX4 together using a Cat 5 or Cat 6 cable. To send 48V phantom power to feed condenser microphones or active direct boxes, the cable must be shielded. If transmitting line signals, shielding is not necessary given the twisted pair configuration, but shielded cables will still be useful since they are less sensitive to noise. Since twisted pairs are wound together tightly in a compact jacket, it is good to send signals with similar level on the same wire. This will reduce crosstalk from signals with higher levels (such as +4 dB line levels) polluting lower level output signals (such as -30dB microphone levels). The TX and RX modules feature two sets of XLR connectors for more versatile connections. This is basically a simple Y-cable that can be useful in certain situations.

Using the Mic Level TX4M and RX4M Modules

These modules are used to split a mic signal between the two mixers. Although transformers can be placed inside the TX4M transmit module or RX4M receive module, these are usually placed inside the transmit module as they allow for more flexibility. For example, it may happen in a concert that you need to send your on-stage microphone signal to a monitor mixer on stage, and simultaneously to a distant FOH mixer. TX4M would allow you to connect your microphones directly to the FOH console so that it can provide phantom power, while the high-performance Eclipse transformers keep the monitor mixer isolated by preventing ground loops. You can also use the same TX4M module to isolate microphones feeding a separate recording system. Transformers are truly exceptional devices: in case of saturation they provide surprising help.

Using the TX4L and RX4L Line Level Isolated Modules

As described above, transformers eliminate noise. These problems are often more predominant in situations where the two connection points are far apart. Signal isolation allows audio to pass through, blocking stray DC voltages that can interfere with the system. Line-level isolators are usually placed in the receive module (RX4L) of the system. If you use Catapult as a return snake for monitors or from a crossover, isolating the stage from the front-of-house (FOH) will prevent a lot of trouble! Simply connect the output from the console to Catapult and the isolated outputs to amplifier racks or powered speakers. The Eclipse transformers inside can handle up to 15dB without distortion. You can use the unisolated outputs to supply signal to other devices, such as a recorder.

Ground Lift

Each Catapult module is equipped with a Ground Lift switch. Set it as inactive. Once connected, if you experience noise, try to activate the Ground Lift switch in either module (Transmit/Receive). It is usually best to activate it at the end of transmission, where there is usually a microphone connection, while at the end of reception there is a connection to an electronic device, (mixer), which already has its own ground. Caution: activating the Ground Lift switch automatically disables phantom power: condenser microphones or active DI boxes will not work.